Aakasa Ramanna is a Telugu Movie, starring Allari Naresh, Sivaji, Rajiv Kanakala, Meera Jasmine and Gauri Pandit and others, directed by Ashok. Produced by Manyam Ramesh, and music composed by Chakri. The film Shooting is in progress.
News
'Aakasa Ramanna' will star Alluri Naresh, Shivaji, Rajiv Kanakala, Meera Jasmine and Gauri Pandit under the direction of Ashok of 'Flash News' fame. The film is produced by Manyam Ramesh on the Manyam Entertainments banner. Presented by Manyam Suryanarayana, the movie has completed talkie portion.
Briefing on the progress made, Manyam Ramesh informed that except 2 songs the shooting has been complete in all respects. The dubbing part is currently going on. The remaining 2 songs will be filmed from the 6th of this month at Ramoji Film City.
The film has reportedly been made with a versatile concept and plans are on to release it by the end of February.
Credits
* Banner: Manyam Entertainments
* Starring: Allari Naresh, Sivaji, Rajiv Kanakala, Meera Jasmine, Nagababu, M S Narayana, Venumadhav, Raghubabu, Satyam Rajesh, Srinivas Reddy, Rao Ramesh, Tarjan, Raghu, Khayum, Venu, Sana, Geetha Singh and Banda Jyothi and others
* Producer: Manyam Ramesh
* Presented: Manyam Suryanarayana
* Director: Ashok
Music Director: Chakri
Billa (Prabhas) is a don operating from Malaysia. Krishna Murthy (Krishnam Raju) is a cop who is on the trail of Billa. Billa dies in an encounter with cops. Krishna Murthy keeps it as a secret and brings Billa’s lookalike Ranga – a petty thief onto the scene. The rest of the story is all about how Ranga completes the job for Krishna Murthy.
Prabhas: Prabhas is extremely stylish with well toned and highly muscular body in the role of the don. The blazers suited him really well. His second role as Ranga entertains us with the dialogue delivery he popularized with Bujjigadu film. His steps in Bommari Bommali song 
Others: Anushka is good with slim figure and she is extremely glamorous in revealing dresses. She has no significant role to play in this film. Hansika Motwani did a special role and she is good. Namitha entered in to Telugu film industry again with Billa. She is sexy and dubbed her own voice in Telugu. Krishnam Raju is adequate as the cop. Supreet is stylish. Kelly Dorji’s role is an extension of the one he donned in Nagarjuna’s Don. Rehman is competent in a vital role. Ali did a short, yet significant role. Jayasudha did a small, but nice role.
Story - screenplay - direction: Billa’s story is based on Don film penned by Javed Akhtar. Screenplay of the film is adequate in the first half and is little disappointing in the second half. Director concentrated more on the styling in the first half. Direction of the film is adequate. Though it is a 30 year old story, the director should have done modifications to it to make it more logical and convincing. The twists towards climax lack logic. The kids thread should have been extended into second half. It has tremendous potential with nice sentimental value. The following scenes are good in the film –
Other departments: Music and background score by Mani Sharma is average. Bommali song is the best in picturization aspect. Cinematography by Soundar Rajan is pretty good. Dialogues are adequate. The serious dialogues written for Prabhas in the first half (Can Can and other English dialogues) are not effective enough. Fights done by Stun Siva are efficient and stylish (especially superb chase sequence). Editing is alright. Production values by Gopi Krishna Movies are excellent. The entire movie is mounted on a grand scale.
Analysis: First half of the film is alright. Second half is little disappointing and is prolonged. The plus points of the film are Prabhas’s makeover and styling as Billa and good production values. On the flip side, the second half should have been effectively handled. Prabhas has terrific comedy timing in him (Bujjigadu film and pre-interval episode in Billa). Hope somebody would make the best use of it the future. We have to wait and see how audiences take Billa.
Sasirekha (Genelia) is summoned by her strict father (Ahuti Prasad) to return home. After coming home she realizes that her marriage is fixed with an NRI and her wedding is due that night. She also learns that the groom’s father is money-minded. She has no choice left but to run away. She meets Anand (Tarun) on her journey. He protects her and helps her. The rest of the story is all about the background of Anand and what happens between the couple. 
Genelia: You would see an entirely different Genelia in this film. She did not wear any make-up. She is completely child-like and playfully innocent. It appears like she dubbed her own voice in certain scenes of the film. Her hysterical performance when she is slapped shows another shade of her. And her performance in the scene in which she banters after getting drunk is very good. She gave wide variety of expressions in this film.
Others: Tarun plays the second fiddle. But his performance in the hospital scene in the climax is ultimate. Ahuti Prasad scores again in this film. But his usage of expletives at end his dialogue is little discomforting to ears. Subbaraju dons a refreshing (away from his usual roles) role in this film. He is excellent. Paruchuri Gopala Krishna is extremely good as the villainous elder. Abhi did a significant role. Monali Chowdary is good in a cameo. MS Narayana is excellent in the tax-payers episode. Vamsi (Paiditalli from Happy Days) has a small, but interesting role. 
Other departments: Music of the film is alright. The best song on the screen is ‘Edo’ that comes before the climax. Nice rendition by Saindhavi helps the mood of the situation. Dialogues are nice. Krishna Vamsi seems to be allocating a few minutes of his film’s runtime to eulogize certain things in his recent films. If he had lengthy dialogues about railways and Indian traditions in Rakhi and Chandamama respectively, he tells some good things about Vijayawada (only after belittling it). Cinematography is adequate. The producer should have taken more care in the postproduction (especially DI) which would have enhanced the visual appeal of the film. 
Analysis: The title cards sequence (involving visuals of Maya Bazaar song Aha Na Pellanta’) is very good. The first half of the film is adequate. The initial half of the second half is boring (a common problem with journey flicks if they do not have conflict point). The director makes it up in the last half an hour. The positive points are Genelia and last half an hour. On the flipside, there is no conflict point (that creates dramatic impact) in the second half. This film has elements that can go well with class audiences and women. We have to wait and see how it fares at box office. 
Siddhardh is a playful youngster with no emotions. His parents get separated in his childhood and he stays with his mother. He falls in love with Geeta (Tamanna) who comes to Hyderabad from a village. When she introduces him to her father (Nassar) he says the he would give the hand of his daughter to him if Siddhardh unites his parents. The rest of the story is all about how Siddhardh unites his parents (Ramya Krishna and Prakash Raj).
Story: Story of the film is nicely divided into two parts. The first half is about two youngsters falling it love and hence it is targeted to the youth. The interval block is about heroine’s father putting a condition. The second half is about the couple uniting the parents of hero which is targeted towards the family crowds. The whole film is based on the point that Prakash Raj and Ramya Krishna are separated. The reasons for the separation are not effectively established in the film. Hence the basic foundation of the entire film appears flimsy. 
Screenplay – direction: Screenplay of the film is adequate. Direction of the film is good in parts. The narration is very slow. The director did well in second half while handling emotional scenes. But he could not get it right when it comes to the romance aspect in the first half. He should be commended the way he integrated the songs into the film. The thread of ‘crossing marks on the people you dislike’ (‘flushing the photo in toilet’ from Jab We Met?) is interesting. Vankai curry thread is also good. The characterizations should have been more consistent. Both Siddhardh and Tamanna characters in second half behave little amateurish from the scene when they quarrel about Geeta’s surname. 
Other departments: Songs scored by Shankar Ehsaan Loy are excellent and they are picturized well and placement is perfect. Songs are so good that they dominated the story narration in the film. Lyrics by Sirivennela and Chandrabose are good. Mani Sharma’s background score is nice in the second half. Cinematography by Vijay C Chakravarthy is excellent. Dialogues by Abburi Ravi are neat in the second half. There are sentiment-oriented dialogues like ‘Evarikaina problem vaste amma nanna daggaraku veltaru. Amma nanne problem aithe?’ and Trivikramish lines like ‘nenu kaalu tho break veyyaledu, jaalitho break vesa’ (Brahmanandam). Editing by Srikar Prasad is adequate. Producer Nallamalupu Bujji should be commended for trusting his technicians and making this film with high technical standards.
Analysis: First half of the film is average. Second half has got emotional content. The plus points are excellent songs and emotions in second half. The negative point of the film is slow-paced narration (2:50 hours runtime). The scenes towards climax appear prolonged. On a whole, KIKK is an okay film that is targeted towards family crowds. KIKK is not a film for the morning show crowds. It is more targeted towards second show crowds (family crowds).